Sita & Rama : Papet Ramayana (mga awit)

by amelia lapeña bonifacio, joey ayala, cynthia alexander

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about

This is the commissioned children’s puppet theatre soundtrack for Teatrong Mulat's Sita & Rama, Papet Ramayana, directed and written by Amelia Lapeña Bonifacio, acclaimed as the “Mother of Philippine Puppetry” and “Grand Dame of Southeast Asian Children’s Puppet Theater.”

Play & Lyrics - Amelia Lapeña Bonifacio
Melodies - Cynthia Alexander & Joey Ayala
Arrangements & Music Direction - Cynthia Alexander
Direction - Amihan Bonifacio-Ramolete

credits

released February 1, 2005

Synopsis:
The God Vishnu reincarnates himself as Prince Rama, the first son of King Dashrata, to stop King Ravana from continuing his evil reign. Young Prince Rama grows up to be a strong man and by his strength he wins the love of Princess Sita. Before King Dashrata is able to bestow the throne to Rama, his second wife, Kaikeyi request that he fulfill the two wishes he granted her in return for having saved his life during the war. Her first wish was to make his son Bharata the crowned king and second, to banish Rama in the forest for fourteen years. To honor his father’s word, Rama consents and goes to the forest with Sita and his brother Laksmana. While Rama was in exile, the ogress, Surpanakha falls in love with him but he denies her. While they drive her away, Laksmana cuts Surpanakha’s nose. Furious of being insulted and hurt, Surpanakha demands her brother, King Ravana, to avenge her. Prince Rama and Prince Laksmana team up with monkey king, Sugriva, and the monkey general, Hanuman. Together with the army of monkeys, Prince Rama and Prince Laksmana face dangers that await then in King Ravana’s kingdom. They saved Princess Sita and return home on the 14th year of their exile. Prince Rama becomes King and leads the kingdom with Queen Sita by his side.

AMELIA LAPEÑA-BONIFACIO www.panitikan.com.ph/authors/b/albonifacioextensive.htm

Joey Ayala
www.joeyayala.com/albums/sita-rama-papet-ramayana

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cynthia alexander Tacoma, Washington

‘Known for introspective lyrics that sound like deep conversations with the listener, Alexander has succeeded in crafting music that’s distinctly Asian in character, anchored on elements of Malay and Indian ethnic, yet warmly assimilates Western influences such as jazz and the blues, with a nice touch of classical to boot.’ — Philippine Daily Inquirer ... more

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